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[Music] Chord Progressions

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What are good ways to make chord progressions? If I ever get the time, maybe I'll get some scale and pick out notes and stuffs but for now, what are some quick and easy ways?

I know that the chord the key is in plus the major chords of the sub-dominant and dominant notes and a minor chord of the sub-mediant make a good progression. Stuffs like that, I need ;-;

My music-lingo may be off (probably is ;-; ) but it was the shortest way to say stuff in a non-confusing way, I think...
« Last Edit: May 25, 2015, 08:09:23 AM by irock »

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Full Metal Mod - He will pillage your women!
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Well, a generic way is to modulate between chords.

I'm modulating in fifths for a piano song, it's simple but effective.
"The wonderful thing about Tiggers
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Modulate? ;-;

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"The wonderful thing about Tiggers
Is Tiggers are wonderful things
Their tops are made out of rubber
Their bottoms are made out of springs

They’re bouncy, trouncy, flouncy, pouncy
Fun, fun, fun, fun, fun!
But the most wonderful thing about Tiggers
Is I’m the only one, I’m the only one."

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Wikipedia is hard to understand. Can you dumb it down? ;-;

EDIT: I love you Halo. Is this a good example of Common Tone Modulation?
« Last Edit: May 01, 2008, 12:41:54 AM by mastermoo420 »

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« Last Edit: May 01, 2008, 05:56:39 AM by Pathbinder »

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Well, considering I created and put up an example of modulation, it's not really needed. But thanks anyways for the faulty link :P

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Eh, I don't know why the close parenthesis didn't become part of the link. ;9

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chord progression is like you are lalala then you go wewewe but suddenly its a BAM BAM BAM.

Easy ways are not invented. You need to know how to change it and when. How in the since, not like lalalalalaweweweweBAMABAMBAMABAMABAMABA.

in some better ways and when is like...not in the very start/very end or something.~
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http://rmrk.net/index.php/topic,16991.0.html


Check out lessons 7 and 8.
Maybe 6 if you want a refresher about chords.

:tinysmile::tinysmile:

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Oh, thanks <3 I'll look into it soon.

EDIT: Okay, I get the whole diatonic stuffs and that's the more used one. But the away from diatonic progressions is hard... XDD
« Last Edit: May 03, 2008, 09:13:49 PM by mastermoo420 »

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Things we fear the most have already happened 2 us
all the best chord progressions were already made.  So look them up and keep using them to make the GREATEST MELODY EVA!

my fav,,other than the unchained is the F,,G,,Em,,Am progression.
"If u'r about to die,,then think of how good ur life has treated u up to this point.  On the
other hand,,if life hasn't treated u good up to this point,,then take joy in the fact that
it's not going to bother u for much longer."

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all the best chord progressions were already made.  So look them up and keep using them to make the GREATEST MELODY EVA!

my fav,,other than the unchained is the F,,G,,Em,,Am progression.
You can't say "all the best chord progressions were already made." There are an infinite amount of progressions, a lot of them being unusable and dissonant (which is not what I'm looking for >_> )

If you find out all the chord progressions to ever exist and still say it, sure. I just don't want any opinions in here. My method of a root chord, diatonic chords of its 4th and 5th, and a minor chord of the 6th are the "progressions...already made." That's great and all but it's too generic. I want something different.

All pop rock is pretty catchy. But, the problem is, they all pretty much sound the same. Maybe a bit different vocals, different key, but they're all power chords, which makes them limited. That's why I'm looking for different chord progressions.

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a lot of them being unusable

Untrue. And you should learn to embrace dissonance; it's a beautiful thing.
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I'm not good enough to work with dissonance. Plus, with some radical chord progressions like C, Cmaj7, then into D or something like that would be just like bleh for me, and a lot of people, to work with.

"A lot," too is a very general word to start with, so :P

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all the best chord progressions were already made.  So look them up and keep using them to make the GREATEST MELODY EVA!

my fav,,other than the unchained is the F,,G,,Em,,Am progression.

...
...
No. Chord Progressions are not limited, like 5-10 or so. You can say that many good progressions have been made and he should see them (if thats what you meant) but you can't say that all of them have been made. ALso, using made up chord progressions ruins the point of self composing music.

..

Quote
There are an infinite amount of progressions, a lot of them being unusable and dissonant

I don't see how ;-; No chord progression in unusable unless you don't know how to use it ;-;

or watever

/zypher

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Idk, some are really really really dissonant and it's wrong to say it's "unusable" since there probably is one way but still. I guess you can say "a lot" are really hard to use.

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I agree with Moo. There are a few progressions that are really, really difficult to use because they sound too dissonant.



Unless you're writing 12 tone or something...
...then it's acceptable.

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Philip Glass can use them :V
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lol minimalism

His Einstein on the Beach is just triads played over and over again. He's not really the person I'd bring into an argument about dissonance.
« Last Edit: May 10, 2008, 10:08:04 PM by Arlen »

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He does a lot of 12 tone stuff. Well, not a lot, but more than he should.

...I don't like Philip Glass ;9
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It's okay Halo, one day we'll write something to make you like 12 tones... and Philip Glass.
"The wonderful thing about Tiggers
Is Tiggers are wonderful things
Their tops are made out of rubber
Their bottoms are made out of springs

They’re bouncy, trouncy, flouncy, pouncy
Fun, fun, fun, fun, fun!
But the most wonderful thing about Tiggers
Is I’m the only one, I’m the only one."

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I don't necessarily have anything against 12 tone pieces, just Glass. Most of his works are 4 or 8 measures repeated over and over and then another 4 measures repeated over and over. Then you go back to the first part and do it again. Some of his movie scores are ok and are actually closer to traditional movie music, but a bit more dissonant.

And lol at his minimalist stuff. If I had known there was money to be made in playing the same few chords over and over then I wouldn't have bothered trying so hard to write complex music :lol:
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If you want 12 tone that is more bearable, check out Anton Webern, or Alban Berg.
Schoenberg is the father of 12 tone, and those are his two 'students.' But Schoenberg's music is really hard to listen to. Some of Berg and Webern's stuff is actually kinda neat. Some of it.

Like Berg's Violin Concerto, or Webern's Concerto for 9 Instruments.

Those are some pretty sweet pieces.
« Last Edit: May 11, 2008, 12:17:26 AM by Arlen »

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I will find them!
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